Written by Andie Kaiser
One of Netflix’s latest arrivals, Joy (Taylor, 2024), tells the true story of the world’s first in vitro fertilisation (IVF) baby, focusing on the scientists who worked tirelessly to develop the technology. The film’s already-fascinating story is brought to life with a charming cast of Thomasin McKenzie, James Norton, and Bill Nighy, who play nurse Jean Purdy, Dr Robert Edwards and surgeon Patrick Steptoe respectively.
Taking place in the UK across the 1960s and 70s, Joy dedicates itself to creating a strong sense of atmosphere, with brightly coloured outfits and upbeat songs peppered throughout the film. These creative decisions meant that instead of a dry historical retelling, audiences were invited in on the very “joy” the film speaks of. That being said, the film also works to keep science at the forefront of the narrative. I was struck by the way in which the film balanced these elements, presenting the science in a comprehensible way so that audiences felt like they, too, were part of this historic process.
By taking a more “biographical” approach to this story, the film is really able to humanize its central figures, particularly McKenzie’s Jean Purdy. McKenzie’s performance is subtle and powerful, once again proving her ability as an actress to seamlessly step into another time and place in history. As Purdy works alongside Edwards and Steptoe, we see the criticism she is met with from society, her church, and her own mother, who believe that the development of IVF is a sin. In a day and age where reproductive care continues to be threatened by governments worldwide, Joy’s messaging about the importance of bodily autonomy and the systemic inequalities faced by women is incredibly impactful. The film is also clear about the fact that while the story of IVF started here, the journey will and must continue: there are still so many medical advancements to be made, such as improved treatment for the severe endometriosis Purdy herself suffers from.
Ultimately, Joy is a celebration of the power of science, showcasing the bravery and generosity it takes to fight for medical advancements under systems of power that work against such innovation. Though it is a period drama, Joy’s themes ring true just as clearly today: in a world where people like Donald Trump call themselves “the father of IVF,” Joy reminds us who the real heroes of this story are, and celebrates them fully.
Photo credits to Variety.
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